Tone of voice
Tone of voice for a small business is mostly a question of sounding like the person customers will actually deal with. Most tone documents fail because they describe an aspiration rather than a way of writing.
Tone of voice for a small business is mostly a question of sounding like the person customers will actually deal with. Most tone documents fail because they describe an aspiration rather than a way of writing.
Short answer
Tone of voice is the consistent way a business sounds in writing. For a small business the honest answer is usually to write as you speak to a customer, minus the filler. Elaborate tone guidelines rarely survive contact with a busy owner writing a service page.
They describe adjectives rather than decisions. Friendly, professional and approachable are true of nearly every business and give a writer nothing to act on when choosing between two sentences.
They are also written once and never consulted. A document that has to be read before writing a page is a document that will not be read before writing a page.
The version that works is a short list of concrete choices: words we use, words we never use, and how we handle the two or three situations that come up repeatedly.
They also arrive too late. A tone document written after forty pages exist is a document describing an inconsistency rather than preventing one, which is the usual order businesses do it in.
For most small businesses this is the whole answer. The way an owner explains a job on the phone is already clear, already specific and already trusted by customers.
The difference between speech and good writing is mostly removal: the repetitions, the hedges and the run-ups. Keep the vocabulary and the directness; cut the rest.
The practical method is to record yourself explaining something and write from that, which our page on describing your business covers in more detail.
The list below fits on one page and is the only tone document most small businesses need. Everything on it is a decision rather than an adjective.
A site where every page sounds slightly different reads as several businesses to a person and gives an answer engine no consistent voice to quote, which undermines trust more than any individual page choice would.
That is the practical argument for writing the short list down: it is the thing that keeps a site consistent when three people contribute over two years.
Consistency is also achievable. Distinctive character is harder, riskier and matters less than most branding advice suggests for a service business.
It is also what survives staff changes. A short written list is the only part of a voice that transfers when the person who wrote the original pages is no longer the one updating them.
An emergency page, an error message and a complaint response should not sound like a services page. Somebody in difficulty needs plainness and speed rather than warmth.
Legal and policy pages are the other end. There the job is precision, and attempting personality makes the page harder to rely on and occasionally harder to enforce.
So the rule is one voice with deliberate exceptions, each written down. Our page on microcopy covers the small text where those exceptions live.
Marketing language nobody in the business would say aloud. Leading provider, bespoke solutions and passionate about quality all read as borrowed, because they are.
Inconsistent person is next. A page that opens with we and drifts into the company name in the third paragraph feels subtly wrong even to readers who cannot say why.
And overclaiming. Our page on honest claims covers the substance; the tone cost is that one unsupportable sentence makes the careful ones sound like sales copy too.
Read a page aloud and ask whether you would say it to a customer standing in front of you. Anything you would not say is something to rewrite, and this test alone fixes most tone problems.
Then have somebody who knows you read it and ask whether it sounds like you. They will identify the borrowed sentences immediately even though they could not have written the page.
And check a page from two years ago against a page from last week. Drift is gradual and invisible from inside, and comparing the ends of a period is how you see it.
A short one. Words you use, words you never use, whether you say I or we, and how you handle saying no, a price rise and something going wrong. Adjectives like friendly give a writer nothing to act on.
Like the person the customer will actually deal with. The way an owner explains a job on the phone is already clear and specific; good writing is mostly that with the filler removed.
Yes, deliberately. Emergency pages, error messages and complaint responses need plainness and speed rather than warmth, and legal pages need precision rather than personality.
Read it aloud and ask whether you would say it to a customer standing in front of you. Anything you would not say gets rewritten, and that alone fixes most tone problems.
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